Tour of the National Aerospace Library & Farnborough Air Sciences Trust Museum, Tuesday 30 June 2015

Tour of the National Aerospace Library & Farnborough Air Sciences Trust Museum
Tuesday 30 June 2015 from 10:30 to 13:00
Book via http://nalfasttour.eventbrite.co.uk.

Join us for a joint tour of two of the UK’s best aircraft and aviation collections. The National Aerospace Library is the guardian of the Royal Aeronautical Society’s library and archive and cares for material relating to aviation, aircraft, aerospace technology, air power and ballooning in the past, present and future. As well as providing an information service to the RAeS members, it opens its doors to engineers and other aerospace professionals, historians, students and enthusiasts who want to find out more about man’s dream to conquer flight.

The FAST Museum is dedicated to Farnborough’s proud aviation heritage and significant contribution to air science and research. As well as a tour of the museum there will be a talk about the work of their documents collection which collects material relating to the UK’s former aeronautical research organisation, the Royal Aircraft Establishment.

The tour is free, however a donation to FAST would be welcome.

Busman’s holiday librarian style: visiting Gladstone’s Library in Hawarden

Who needs a Tardis when you can visit Gladstone’s Library in Hawarden? It’s a trip back in time to when libraries were full of books and there was a strict silence rule. And you really can get a lot more reading done when there are no distractions! Not only that but you can eat and sleep there! There is a very nice cafe and rooms for visitors. If you’re staying there you can use the library until 9 at night, all the books are on open access including the books which came from Gladstone’s own collection. There is an honesty bar where you can chat to the other users – or just eavesdrop on their conversations (which can be an entertainment in itself). The stock is based on Gladstone’s own library but includes current works on subjects he was interested in, including theology and church history. It’s extremely comprehensive and most local historians would find something of interest. The church like atmosphere and creaking floors make you feel you’ve slipped back into the nineteenth century. Even if you’re not using the collection it’s a good place to get some work done and have a break from the 21st century

Bring Your Own Heritage

locscot1's avatarLocScot

This one day event run by the project from Robert Gordon University Aberdeen was a complete sell out with spaces at a premium for a free event aimed at discussing digital and online projects, services and proposals with those involved in local history and heritage.

The session opened with Dr Lizzie Tait welcoming everyone and explaining the programme and the aims of the event. She then introduced Prof Richard Laing to kick off by outlining their ‘Bring Your Own Heritage’ project. This was a highly innovative scheme which saw the team from Robert Gordon use a state of the art laser scanner to record parts of Elgin. Prof Laing is based in architectural academe and his plan was to record the town with this new scanner, creating a digital testimony to how the town looks now and of course documenting old and new buildings, not to mention geographical features that…

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Blast from the past #1: promoting local studies

“You are too busy actually doing the job to waste time explaining to people who seem to be solely preoccupied with the latest managerial philosophy that can be expressed by a handy set of initials. These are, however, precisely the people you must talk to and the philosophies that should be used to your advantage”.

These words could have been written yesterday but, in fact, they come from a 1991 issue of Local Studies Librarian (Vol 10 No 1 Spring 1991 p 3 – 4) in an article  with very useful advice on promoting a local studies service by Sheila Cooke. She stressed the importance of promotion to the public, to managers and councillors and to colleagues in your own service and the profession generally, and gives a few tips on writing a newsletter which can provide ready material for all these audiences.

This article, along with other back files of the journal, can be consulted by CILIP Local Studies Group members on the LSG CILIP webpages

Project management for librarians & archivists – booking now open

Those nice people at the APML have got another excellent course. This time – Introduction to Project Management for Librarians and Archivists. As it is APML, it’s going to be a top-notch course at a bargain price.

Tuesday 17th March 2015, at the Royal United Services Institute, Whitehall, London, SW1A 2ET.

Price to be confirmed, depending on numbers, but probably between £55-£75 per person – not including lunch.

Trainer: Elizabeth Oxbarrow-Cowan.

Timetable

9.30 Registration

10.00-10.15 What is a project?
Defining when something is or is not a project.

10.15-10.25 How to define success for your project
Without identifying what you want your project to achieve and how you cannot measure its
success nor say when the project has come to an end. This section will give you the tools to
identify and describe success in your project.

10.25-11.30 Identifying the stages in a project
All projects have the same basic phases. You will be introduced to these phases and see how they relate to each other.

11.30-11.45 Break

11.45-1300 The basics of planning a project
There are many tools for planning a project. In this section you will learn some of the core
techniques.

13.00-13.45 Lunch

13.45-14.30 Implementing and monitoring a project
These processes are vital to the project’s success. Implementation requires the establishment of a team with clear assignment of roles and responsibilities, clear lines of reporting and effective team working and leadership. This section will give an overview of these issues along with advice on what to monitor in a project and how.

14.30-1500 Completing the project
A project has a clearly defined end point. You will consider how to draw a project to a
successful conclusion.

15.00-15.15 Break

15.15-16.00 Skills of a good project manager
Project management skills go beyond those of normal management skills. The course will
look at how and give you an opportunity to reflect on how your own skills currently match with those needed to be a good project manager.

To book, contact Kay Walters via KAYW@hellenist.org.uk or 020 7321 5463.

LSLs & Archivist networking event in Manchester

There is a free networking event in Manchester on 8th December at 4pm Manchester Central Library which includes tours of the building and a talk by Marion Hewitt, director of the North West Film Archive – http://www.cilip.org.uk/local-studies-group/events/networking-event-librarians-and-archivists-0. A great opportunity to visit this wonderfully refurbished library and visit the Manchester Christmas Market!

Contact Julie Devonald – julie.devonald@manchester.ac.uk

Collecting Cultures – Creative Wiltshire and Swindon

Collecting Cultures is an occasional national HLF funding stream open to accredited libraries, archives and museums. Before the current round, which has just been announced, the last round was in 2008 and mainly focussed on museums. The aim of the fund is to encourage the heritage sector to think strategically about collecting, especially identifying gaps in collections. This also includes funding to purchase items (50% of a grant has to be spent on purchases), enabling a more systematic approach that avoids the mad dash when books, ephemera, archives and objects etc. come up for sale, trying to gather the money together, approaching various small grant providers and all that goes with that process. It also promotes local partnerships across the heritage sector and allows us to invest in skills training for staff and volunteers in collecting and curatorship. Unlike other HLF grants, Collecting Cultures projects can run across 5 years.

http://www.hlf.org.uk/about-us/news-features/%C2%A35million-investment-bolsters-cultural-institutions-future-collecting-plans

In this current round Creative Wiltshire and Swindon – a partnership led by Wiltshire Local Studies and including Swindon Central Library Local Studies, Wiltshire and Swindon History Centre, Wiltshire Conservation and Museum Advisory Service and Swindon Museum and Art Gallery – received £178,000 HLF Collecting Cultures grant towards a project totalling £213,550. We have been the only applicant in the South West region to receive the grant, so we have been especially delighted by our success.

So why Creative Wiltshire and Swindon? Wiltshire and Swindon has a long history of nurturing and inspiring creative industries and individuals. These might include artists, photographers, film-makers, writers, composers, architects and designers (e.g. furniture designers) and crafts people, amongst others. Although heritage collections in Wiltshire already include some local artists (mainly paintings) and writers, the broader creative industry is not well represented and therefore remains a largely hidden part of our county’s heritage.

The physical heritage will include published and manuscript materials generated by or about the creative industries, including biographical works, letters, diaries, notes, plans, sheet music, catalogues, ephemera and other such materials; photographs, prints and engravings; fine art and objects such as ceramics and textiles; furniture, models and everyday objects that are representative of the creativity community. It will cover materials that are about creative individuals and organisations that are either rooted in local communities and their history and or inspired by Wiltshire’s communities, its history and landscape. So, for example, our collecting might range from ceramics from an established pottery in a town or village; sketches and paintings from notable local artists, such as Ken White and Walter Poole; traditional textile and lace making; records and posters from the local music scene in the 1970s and 1980s, such as the band XTC in Swindon; to an Alex Moulton bicycle or a James Dyson vacuum cleaner! Where the originators of the works are still living, we will also seek to secure their stories through oral history to add a further dimension to the interpretation of collections.

Materials will be acquired by accredited museums in the county of Wiltshire and Borough of Swindon and the Wiltshire and Swindon History Centre (Wiltshire and Swindon Archives and Wiltshire Local Studies Library), with accessible copies or surrogates, where relevant, for Swindon Central Library (Local Studies collection) and non-accredited museums. Across the five-year period we hope to draw into the partnership other museums in the county and borough.

The project will enable us to develop a cohesive strategic collection policy for creative collections across the heritage sector in Wiltshire and Swindon, this includes the creation of an acquisition panel that will have an overview of what is collected. Training to develop skills for staff and volunteers, through workshops and additional one to one support as appropriate, in areas of proactive collecting, conservation, and interpretation will be provided. The Wiltshire Local Studies Library will employ two officers for a day a week each across an eighteen month period to source and catalogue local studies and archive material; assist museum colleagues and their communities in identifying creative industries and their products; and help with community learning and participating activities. Costs for our Heritage Education Officer to work with Local Schools are also included within the grant.

This is a great opportunity for the local heritage sector to engage new audiences for local studies, archives and museums through these collections. In addition to a number of local exhibitions and talks in museums, libraries and at the History Centre, we will be using current creative practitioners to work with new and existing audiences, through workshops, where audiences will be invited to respond to newly acquired material through creative writing and the arts. We will also work with schools developing a theme of ‘take one object / item’ that has been deployed successfully by the National Gallery, developing lesson plans based on a single object and to tie in with an Arts Award (a national accreditation for young people).

These are only the briefest of details. I am happy to share our activity plan with colleagues and would encourage local Studies libraries to consider any future rounds of collecting Cultures. I will also let you know how we are progressing against our aims.

Terry Bracher
Terry.Bracher@Wiltshire.gov.uk

WWI project review event at IWM – booking now open

Those great guys from the Digital Learning Network are running an interesting review seminar on WW1 events. Looks very interesting, though it is £115….

Digital Learning and the First World War

December 12, 2014 9:30 am
Imperial War Museums

Digital Learning and the First World War

Date:  Friday 12 December 2014 

Venue: Imperial War Museums, London

Digital Learning Network and Imperial War Museums are hosting this event which will explore how different organisations have developed digital content connected to the First World War.  This event will bring together practitioners who have developed content for formal and informal audiences who will be sharing information about their projects and exploring how these could be applied to wider subject matter.

Case studies include:

  • Charlie Keitch, Digital Learning Officer, Imperial War Museums: Developing Imperial War Museums online resources for schools
  • David Avery, Senior Web Content Developer, Learning Team, British Library: Uniting collections from across Europe: building the British Library’s World War One learning website
  • Simon Bendry, Centenary Battlefields Tour Programme Coordinator on what teachers want from resources on the First World War
  • Robin Clutterbuck, Project Manager, Gallipoli Association:  Gallipoli Centenary Education project
  • Gill Parkes, Principal Archivist, Durham Record Office:  Developing the Durham at War project

The event will take place at IWM London and the day will include the opportunity to visit their ground-breaking new galleries and discover how IWM has used digital technologies to help interpret the First World War.

Booking via: http://www.digitallearningnetwork.net/event/digital-learning-and-the-first-world-war